Green Light Over the Ice

The aurora moves faster than the internet suggests. Anything over four seconds and the structure smears into a wash.

The Bridge Disappears

Fog does the editing for you. Everything behind the second tower is simply gone, and the structure becomes a line drawing.

Two Cups, One Window

One north-facing window, a sheet of white card, and about an hour before the light moves off the table entirely.

Low Tide at Blue Hour

The tide goes out far enough here that the rocks turn into a second sky. You get about eleven minutes before the colour drains.

Scale, and How to Lose It

There is nothing in a dune field to tell you how big anything is. Then a line of figures crests the ridge and the whole frame snaps into proportion.

Hard Lines, Soft Sky

A building this severe needs weather behind it. On a blue day it reads as a diagram; under moving cloud it reads as a shape.

Badlands, Before the Heat

Forty minutes of usable light before the contrast becomes unmanageable. After that the ridges flatten out and stay flat until evening.

Six Seconds of Surf

Long enough to smooth the chop, short enough to keep the shape of the break. The window is narrower than you would think.

Notes on Vertigo

The picture is only interesting because your own feet are in it. Remove them and it is an aerial shot like any other.

One Tent, No Moon

A lit tent is the oldest trick in night photography and it still works, because it gives the eye somewhere warm to land.

Morning Ritual

Photographing people at work asks a question first. The answer here was yes, and then they carried on and forgot about me.